Thursday, July 28, 2016
Let's talk cover art.
I'm speaking of book cover art, obviously. Many readers take it for granted that authors have a huge say in the cover art of their novels. Surprise, surprise, this is not true, and is, in fact, not the norm at all. Most authors have no say at all. Even John Scalzi has admitted he has little to no say in the cover art of his books, but he always has kick-ass cover art anyway, so that's a moot point, really. And even I, as a reader, had often thought that the cover art of many of the books I had read did not reflect the story or characters very well at all.
A reviewer once commented on the cover art of my second novel, Falling (2015), stating: "The cover is fine. But this book deserves a brilliant cover, not one that is just fine." I cannot even begin to tell you how much I agree with this statement. And the cover of Falling was a point of contention for a few weeks, while we went back and forth and back and forth. I am grateful I was allowed input at all, trust me...because this is what was first put forth:
It's not terrible, though a bit ambiguous...but it didn't have anything to do with the story. So I said, Um, nope...can we try again?
This was the next offering:
I nixed that one immediately. The title font, the butt shot (I am completely against butt shots, yet, ironically enough, many lesbian novels fall victim to them, sadly), even the colour of the font, was all wrong. I liked the headlights in the distance, the concept art of the female hitchhiker...so I asked my sweetie, who is a graphic artist, and a very successful business owner, to see what she could come up with. She tried a couple of things, and I sent them in, and again asked, "Can we try again, please?"
This is what I was offered, a combination of something my sweetie found, and something already in play, which is the cover we finally decided on:
However, my sweetie went one step further, and also constructed this:
This is my favourite. I like the clear, no-nonsense attitude of the young woman, I like the foreboding, storm-approaching sky, the highway stretching out before her (it's only missing the headlights)...THIS is the cover the aforementioned reviewer was thinking of. This cover IS brilliant. Unfortunately, when I sent this in, it was nixed immediately, precisely due to those things we liked about it...it was too dark, it wasn't inviting enough, there was no "romance" to it--but if you've read the book, you know it IS dark, it's NOT very inviting (though it is captivating), and while there is some romance, it's NOT a romance novel.
I am still incredibly grateful to have been allowed a say at all, don't get me wrong. And the cover art of both of my novels is fine, let me be clear on that. But when readers think that authors have any control over the cover art of their books, they must be made aware that this is rarely the case...and sometimes, when it is the case, the author may be an even worse judge than the artists themselves, who likely have only read the blurb, and have no clue what the book is actually about, and so are completely objective. Objectivity is not a bad thing, in such cases. It is, in fact, essential.